December 3, 2012
The visual scores began to emerge around 2010. Above is probably one of the first, generated after exhibiting a porous body at Dorsch Gallery, Miami, Fl. I got increasingly tired of sitting back and attentively listening to sound works I was attending to at that time. Piddling with audio work, I began to identify visual elements in the space I was attending to with audio elements I was listening to, and decided it would be a good idea to work with the two mediums simultaneously. The amplified contacts, filtered textures, and acoustic colorants produced in the visual works became interventions at the elecro-acoustic table and later vice versa.